Roxy Eloise always dreamed of becoming an author, but writing a full book felt impossible, until a birthday gift, You Are a Badass, gave her the confidence to try. At twenty-eight, she finished her first manuscript and secured a traditional publishing deal through PitMad.

Her debut, The Guidal: Discovering Puracordis, is a dystopian romantasy set in a near-future UK where time determines worth. It follows a sixteen-year-old girl raised in a strict institute, grappling with oppression, mystery, and a secret that threatens everything. Inspired by a dream, the series blends rebellion, identity, and forbidden magic.

Originally a trilogy, The Guidal series has expanded to four books, concluding in 2026. Roxy writes for readers who love flawed yet determined heroines, dystopian lies, and worlds where humanity is deliberately disconnected from its true power.

I have been a writer of fiction for many years, initially as a short story writer for women’s magazines when I was published extensively, nationally and internationally.

After completing an M.A. in Creative Writing, I turned to full length fiction and have now written four novels with a fifth close to completion. My novels are character driven – their genre is book group/commercial/literary crossover with themes of the complexities of family life, relationships and the influence of the past upon present lives. Set in the latter years of the 20th century and the opening decade of the 21st, each novel is a standalone story.

My fifth novel is something of a departure for me: set in London during WW2 with themes of conscientious objection as well as duty and familial obligation, it is my first venture into what can be considered historic fiction.

In addition to writing, I run creative writing classes and workshops and enjoy speaking to a wide range of societies and groups about my creative process and my long writing career.

EnvelopeBooks is built on a simple idea: that books are letters from a writer to a reader. With that in mind, we look for works of fiction and non-fiction that had to be written and have to be read. Our covers reinforce the metaphor. Designed as envelopes, they use subtle postal motifs as graphic clues to the content of each book. Now read one. Or write one.

I am proud to have published six books for 8-12 year old children, all set on the mysterious Island of Animaux. The island is located somewhere at the very edge of the world, although it has yet to be discovered. It is full of the strangest creatures having unending crazy, mad, funny adventures.

All the books have received wonderful reviews. The latest one is ‘Who’s There?” and as usual it contains five tales, the first following on from the last in the previous book, “The Other Side”.

In the new tales, Aubrey the Turkey is once again the centre of attention, with strong support from Clifford Platypus and Walli Hog. See how they go on an amazing journey, to help ten-year-old Daisy return to the real world. Watch Aubrey lose all his money to a sly fox and Douglas Duck almost become a shark’s snack. And delight as Aubrey, Clifford and Walli save their new friends’ business, much to Rick Rat’s annoyance.

I am delighted to once again be returning to the Oxford Indie Book Fair.

Sylvia named Coopers Oxford Marmalade Factory, ‘the Jam Factory’ when she established an Art and Antiques Centre with café, bookshop and repair services. The name has stuck! She’s best known locally for the ten year Oxford Castaway series in The Oxford Times. It brought together people who would usually never meet and she made it diverse which was rare then. Her novel, Sculpting the Elephant, is half set in Jericho and half in India. Sylvia is a campaigner for libraries and recently, with friends and the help of Korky Paul raised the money to build the first community library in west Kenya where her novel Not so Black and White is partly set. Her best-selling Brushstrokes in Time is a historical novel which tells the story of the courageous Stars artists (Beijing 1979). Her memoir has been endorsed by the journalist, Yasmin Alibhai Brown, the international poet Sudeep Sen and the history professor, Rana Mitter (Oxford and Harvard).

Deborah Taylor, The Blue Pencil, is a freelance copy editor and proofreader based in Newbury, Berkshire. A member of the Chartered Institute of Editing and Proofreading, she specialises in working with indie authors and small publishers across crime, memoir, and romance genres.

With a background rooted in the print industry, Deborah brings warmth, expertise, and a genuine love of language to everything she does. She supports self-publishing authors, combining meticulous attention to detail with a warm, encouraging approach—because great editing should feel like a collaboration.